This is a reflection of two chapters on two artists namely Astad Deboo and Bansi Kaul who withstand the idea of prosceniums and how one can use a theater space. These chapters are from the book ‘Beyond The Proscenium’. Continue reading Viewing A Space from the Perspective of an Artist
When I think about the pandemic, it usually revolves around the students my age, the teachers involved in the process, and further trying to relate to my family and friends on how they are coping with the pandemic. When I was introduced to the video lectures ‘Theatre and the Coronavirus’, it was altogether a new topic, a fresh prospect. Even before viewing the videos, I had an eagerness, and excitement, about the knowledge they will offer. Continue reading Summarizing Theatre and the Coronavirus: a video lecture by Rustom Bharucha
So the fourth visual and spatial representation was about defining the profiles of the studied objects. These included all the visual and spatial representations of objects as practiced in the previous three exercises, which were performances unique to region or community, cohabitants, and vegetation. Continue reading Representing the profiles of studied objects
I chose Dhunuchi dance and its association with the dhakis as the performance unique to the community. Besides my personal experience in witnessing the performances, another major factor is that these performances provide a direct glimpse of the Bengali culture. Continue reading Representing performances unique to community
P4.RESIDENCY 